Tag Archives: exploitation

Really Awful Movies: Ep 242 – Baskin



On this episode of the Really Awful Movies Podcast, a sensational, Italian-style hard-horror coming to us from of all places, Turkey. Baskin debuted at TIFF’s Midnight Madness and caused a bit of a stir. And rightly so.

Now, Turkey is known for a spate of rip-off movies. There’s a Turkish Star Wars, Star Trek, E.T., Superman, Exorcist, Death Wish, and they’re all unbelievably bad. But of course, the country has produced some great cinema too.

Baskin is a dreamscape that follows six reprobate policemen, officers of the law who are by all accounts louts and shouldn’t really be in charge of keeping order. While on call to a remote town, the driver thinks he sees a figure dart out onto the road, swerves to avoid it, and puts the police van in the ditch.

From there, the men emerged with bruised egos and wet clothes, but face a much more perilous predicament. The group, comprising some jaded veterans but also young bucks, venture into the forest. It’s there they might a group of demented hillbilly folk. But expect the unexpected. From there, they explore a precinct abandoned since the glory days of the Ottoman Empire.

Baskin is a marvel. Bask in its glory (apologies). The film debut of Can Evrenol, based on his 2013 short film by the same name, is influenced by all the good stuff. While not exactly re-inventing the wheel, it pays home to (but doesn’t rip-off) the godfathers of Italian horror: Bava, Fulci, Argento.

On this episode, we talk Turkey (apologies again, dammit). What makes this film so unnerving and odd? What is it about Turkish culture that produced something so transgressive? We dive in headlong.

It’s available through Raven Banner. Buy it, track it down somehow…and listen to our chat!


Really Awful Movies: Ep 241 – The Baby



Whoa. This is one for the ages. The Baby is another strange duck, a piece of 70s exploitation that’d be impossible to make today. A family, the Wadsworths, are raising their 20-something son as a baby. Known only as “The Baby,” (or “Baby”) he’s clad in diapers and left to crawl around the family home in a state of deprivation.

Ann Gentry is a social worker poking her nose where it doesn’t belong. She establishes a rapport with Baby but her efforts to get through to him are thwarted by the family.

Baby has never been permitted to speak, walk, or do things for himself at any level, receiving negative reinforcement in the form of beatings or restraints whenever he attempts to try. Baby has been forced into his state of perpetual dependency and infantilism since his actual infant-hood.

The Wadsworths grow tired of Ann’s meddling and try to dispose of her during a party.

On the Really Awful Movies Podcast, we frequently delve into oddball, surreal, and very transgressive films. This one certainly counts.