Tag Archives: Italian horror

Really Awful Movies: Ep 176 – Nightmare



Nightmare is also known in some circles as Nightmares in a Damaged Brain.

It’s a 1981 horror film, made during the height of the slasher boom, and seems to have been forgotten amidst all the titles that were being churned out during the period.

Directed by Romano Scavolini, the lurid low-budget affair gained instead street cred when it was added to the Video Nasty list in the UK, and its distributor jailed for failing to remove some of its violent content. Still, when compared with others of its ilk, Nightmare is fairly tame.

The film also courted controversy by adding special effects man Tom Savini to its promotional materials, despite it being a movie Savini denies having worked on.

In the film, George Tatum (Baird Stafford) is given an experimental drug treatment by psychiatrists. Then, on the lam, he sojourns back down to his home in Florida.

Along the way, he has recurring nightmares (hence the name) of a violent incident from his childhood, which forces him to spree kill.

On this episode of the Really Awful Movies Podcast, Jeff and Chris discuss:

  • how we came to watching this film
  • the peep show circuit in major cities (a phenomenon that’s since disappeared)
  • the involvement of Tom Savini in Nightmares
  • mommy issues in horror films
  • daddy issues in horror films
  • depictions of New York City in horror, and other types of films.

Join us, as we delve into (say it with us) NIGHTMARE. There’s even a Bette Midler reference!

Every week, we upload new episodes of the Really Awful Movies Podcast. Send us an email if you like what you’re listening to.

 

 


Really Awful Movies: Ep 169 – Inferno



A thematic sequel to the legendary Italian horror Suspiria (1977), Inferno is the second part of Dario Argento’s Three Mothers trilogy. The long-delayed concluding entry, The Mother of Tears, was released in 2007, and one of us caught it at the Toronto International Film Festival.

All three films are partially derived from the concept of “Our Ladies of Sorrow” (Mater Lachrymarum, Mater Suspiriorum and Mater Tenebrarum) originally devised by author Thomas de Quincey in his 19th century work, Suspiria de Profundis.

Inferno received a very limited theatrical release and was unable to match the box office success of its predecessor. The initial critical response to the film was mostly negative…and it’s gotten some more positive attention more recently (if not from us).

The music, for starters, doesn’t match the thunderous beats Goblin graced other Argento films with. Here it’s the cheesy music of one of the dudes from Emerson, Lake and Palmer.

The filming of Inferno took place mainly on interior studio sets in Rome, Italy but a short amount of time was also set aside for location shooting in The Big Apple, including Central Park (the setting for one of the film’s few memorable moments).