Really Awful Movies: Ep 236 – C.H.U.D.

C.H.U.D. is a weird one. For reasons unexplained, the film’s left quite the pop culture legacy, referenced everywhere from  Aqua Teen Hunger Force to Clerks II, and of course, in The Simpsons. Why is this? Hard to say…It’s possible because while the 50s was the height of the monster movie craze, the similarly-themed C.H.U.D. was a definite outlier during the stalk-and-slash 80s.

The flick launches with a woman walking her dog in an inexplicably deserted New York street. She and her pooch are promptly pulled into the sewer.

We’re then introduced to a fashion photographer, George. He lives with his model girlfriend (that is to say, girlfriend who is a model, not the ideal girlfriend). His current photojournalism project is photographing NYC’s homeless population, some of whom live in a subterranean sewer lair.

Soon, Captain Bosch, NYPD, takes a personal stake in a spate of disappearances. Since many of the missing are dispossessed and down-and-out, Bosch interviews A.J., aka, “The Reverend” (Daniel Stern), who runs the local homeless shelter.

AJ, who has been poking around in the sewer and found items that include a Geiger counter, believes the events are part of a massive conspiracy. And since this is a 50s-style monster movie, he’s damn right.

While making barely a ripple at the box office in the 80s slasher boom, it’s still pretty fun stuff viewing it in present day. An A.V. Club reviewer was totally spot-on when he wrote, “Perfect for bleary-eyed late-night viewing and pretty much unwatchable at any other hour.”

Join us on the Really Awful Movies Podcast, where we dissect this fun creature feature. And decide whether AV Club had it right. Subscribe! And leave us a review on iTunes if you like what you hear.

Really Awful Movies: Ep 232 – The Incredible Shrinking Man

We’re used to titles summing up horror movies. The likes of Hospital Massacre, Sorority House Massacre, etc, don’t leave much to the imagination, and little of it is apparent in the finished product. The Incredible Shrinking Man, while not a horror film in the traditional sense, is pretty darn horrifying. An obvious title that lays bare the plot, belies a very interesting, thoughtful, and quirky little movie.

Yes, there’s a man. And he’s shrinking. And that’s all you need to know. This movie sells itself with a terrific premise.

Scott is on vacation with the missus, Louise. They’re on a boat playfully bantering as newly married folks do…and suddenly, a strange mist appears enveloping their craft. For reasons unexplained, the hull protects her from its effects, but poor Scott left on deck, is covered with a white film. Turns out, it was, like that Imagine Dragons ear-worm, “Radioactive.” As the band sings, “I’m waking up to ash and dust, I wipe my brow and I sweat my rust, I’m breathing in the chemicals…”

Soon thereafter, Scott begins to shrink…shedding pounds and inches of height. He undergoes a battery of tests, but there’s nothing that can be done.

Really Awful Movies: Ep 223 – The Kindred

A furtive lab experiment. In a basement. On today’s episode, the fun, smart and occasionally gory 1980s creature feature, The Kindred.

The Kindred is a fairly obscure 1987 American horror film directed by Jeffrey Obrow and Stephen Carpenter. Are two directors better than one? Not generally. Here, not bad!

Obrow also produced the film and co-wrote it along with Carpenter, Earl Ghaffari and John Penney. The film stars David Allen Brooks, Amanda Pays (Planet of the Apes) and Rod Steiger (he needs no introduction). The movie was released on January 9, 1987 and grossed just over $2 million.

Dr Amanda Hollins’ deathbed request to her son, John, was for him to destroy all the lab notes from her last experiment, lest it get into the wrong hands (Dr. Lloyd, played by Steiger).

John and some buddies (including Melissa, a grad student devotee of Hollins) head up to the cottage where Hollins did her experiments. What do they find? We think you’ll have a pretty good idea.

Bloody Disgusting said: “The Kindred is a bonafide fun house full of splattery effects work. Based off the artistry on display here, it’s no shock that lead makeup effects artist, Matthew Mungle, went directly from this to A Nightmare on Elm Street 3 (the second best film in the series).

Join us for smart genre chat on the Really Awful Movies Podcast, every week.