Really Awful Movies: Ep 205 – Frenzy

The Master. Alfred Hitchcock. It’s amazing it’s taken us this long to discuss a Hitchcock. We look at Hitch’s penultimate film, Frenzy.

Many people consider this “lesser Hitchcock.” But it’s a taut, exciting thriller with some gorgeous shots.

There’s a “necktie murderer” roaming the streets of London. It’s a lot like Jack the Ripper. And the murders of various women are pinned on one “Mr Blaney,” a down on his luck loser who has problems with the missus.

But really, Hitchcock plays his hand and actually reveals who the killer is right from the get-go. But there’s enough of a compelling narrative that Frenzy keeps viewers thoroughly interested right until the final frame.

Join us this week on the Really Awful Movies Podcast, as we hope to do justice to one of our faves. We love Hitch (that’s Alfred, though Christopher Hitchens is great too). Frenzy has a lot to offer, and Alfred was able to get a little more low-down and dirty with more permissive cultural mores.

Join us every week for genre film discussion on the Really Awful Movies Podcast!

Really Awful Movies: Ep 204 – Bells

It’s time to talk tech on the podcast! Since we already covered, Don’t Answer the Phone! we thought we’d approach another communications movie, Bells, aka, Murder by Phone! Call it a preoccupation, not a hang up (!) of ours. Oooh, that was deliciously bad.

This one is a Canuxploitation not-quite-classic from the 1980s, back when government-funded drek was all the rage. For whatever reason, Bells has Richard Chamberlain and John Houseman, two actual, bona fide actors. Why? Not sure.

Even Oscar-winning actors have to appear in something called Murder by Phone once in a while.

What’s fun about this crappy flick is that it’s set in Toronto. But not just that. It features the TTC, which we called “Take the Car” as kids, but actually stands for the Toronto Transit Commission. There are also scenes of Bay St, our financial district, and other fun locales.

As for the movie…it’s not much…but killer technology is hella fun, and a killer phone made its way into our book, Death by Umbrella! The 100 Weirdest Horror Movie Weapons.

You’ll enjoy (sorta) this movie. There’s a lot to love, and just as much to loathe. Come join us every week as we champion misbegotten horror, sci fi, action, musical and post-apocalyptic wasteland movies.

THANKS!

 

Really Awful Movies: Ep 203 – The Psychic

Lucio Fulci’s The Psychic, while not nearly as gory as the canonical Fulci films, nonetheless bears some of the same trademark weirdness, and features…of course…a creepy house.

And in this house…bones are found!

We have a murder mystery on our hands, and blood is on someone’s hands…but whose? The house is owned by Francesco Ducci…and the bones are that of a young woman. Mr. Ducci is a womanizer, once dated the deceased, and that alone is enough to cast suspicions his way.

His sister Gloria, and wife Virginia (the titular Psychic) have to clear his name. And really, all they have to go on are some visions…clues that come to Virginia in a dreamlike state…

It’s these visions which, while not accurate, are accurate enough to get the plot rolling. There’s another married womanizer who dated the deceased, and was seen with her some time before she went missing. Is it him?

The Psychic, also known as Seven Notes in Black, and Murder to the Tune of Seven Black Notes, was filmed two years before Fulci blew our collective minds with his awesome, Zombi 2.

But you needn’t be a Fulci die-hard to appreciate the oddball film that is The Psychic.

Tune in as we discuss the film, and remember, subscribe to the Really Awful Movies Podcast!