Really Awful Movies: Ep 43 – Cyborg

We’re huge fans of bat-shit insane production company, Cannon Films. Surprisingly, they put out Barfly, in addition to the usual spate of lovable crap like Ninja 3. In the late 80s, bad business decisions brought the once mighty Cannon to their knees.

Cyborg, the last Cannon flick to garner a theatrical release, was re-purposed, originally having a bigger budget. What we’re left with is a strange, existential, low budget and quite amazing flick.

It is a 1989 American martial-arts cyberpunk film directed by Albert Pyun (Kickboxer 2 and many low budget action flicks). Jean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (OK, we get it with all the cheap-o guitar references).

They were doing a Masters of the Universe sequel, but because Cannon was barely solvent, they couldn’t afford the rights of that property and also Spider-Man. They had sets built…and they had Jean-Claude Van Damme…so they had to do something…well, they had to do…this!

The budget a mere $500,000.

Really Awful Movies: Ep 42 – Battlefield Earth

Roger Ebert said of Battlefield Earth: “it is like taking a bus trip with someone who has needed a bath for a long time. It’s not merely bad; it’s unpleasant in a hostile way.”

Battlefield Earth, we feel, has been uncharitably dumped into the dung heap that is: “worst films of all time.”

However, it is never dull and actually holds up quite well! We thought we’d rhapsodize about the notorious flop’s finer points, in this episode of the Really Awful Movies Podcast. Given the choice of revisiting this over say, Manos: The Hands of Fate, we’ll take the embarrassed Mssers Whitaker and Travolta any day.

Grilled rat on the house!

Really Awful Movies: Ep 29b – They Live

John Carpenter is a master of horror. He’s the brains behind Halloween, The Fog, Escape from New York, Christine and The Thing.

In 1988, he made They Live, featuring wrestler Rowdy Roddy Piper.

This is a very fun homage to b movies from Carpenter’s youth, with bits of satire thrown in for good measure.

The Man With no Name (Piper), a drifter, wanders into Los Angeles looking for work.

They Live makes great use of the mean streets of LA’s infamous skid row as The Man With No Name finds out about a secret plot that’s unveiled by peering through sunglasses.