Really Awful Movies: Ep 81 – Cannibal Ferox

Did you hear about the cannibal who arrived late for the potluck? They gave him the cold shoulder.

On this week’s episode, machetes in tow, we hack through the deepest, darkest jungles and take our first look at the infamous cannibal genre and one of its most notorious flicks, Cannibal Ferox.

This is the second Umberto Lenzi film we’ve discussed on the show, the first being City of the Living Dead. That was a lot more fun. Ferox is not unlike others from the genre in that it’s mostly dull and interspersed with incredibly gruesome and unforgettable images. Upon its release, the US distributor claimed it was “the most violent film ever made” and it was banned in numerous countries. Strange thing is there are way more violent films than this one.

What happens when a grad student gets lost in the wilds of Paraguay with her two assistants? The title is pretty self-explanatory.

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Really Awful Movies: Ep 80 – Cobra

Everybody must get Stalloned.

Cobra.

One word, one syllable, one inimitable action hero.

On this episode of the Really Awful Movies Podcast, the George Cosmatos 1986 shoot-em-up.

There’s a hostage situation in the City of Angels. Who you gonna call? A member of an elite LAPD unit known as “Zombie Squad,” and it’s lead by this badass to the right.

Turns out, there’s an elusive group behind a rash of crimes affecting the city. It’s an Illuminati-type association called New Order (not to be confused with the occasionally dour Manchester synth rock band nor the WCW wrestling faction New World Order).

Crimes are pinned on one the Night Stalker and a witness is put in Cobra’s protection.

A Dirty Harry by way of Cannon films (Golan and Globus produced this one), this Sly and Brigitte Nielsen action flick is dark, daffy, goofy, violent and well worth checking out.

Really Awful Movies: Ep 79 – The Cabinet of Dr Caligari

We dip into German expressionism on the podcast this week, and we take a look at the classic, The Cabinet of Dr Caligari.

It’s a 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. The Cabinet of Dr Caligari is frequently considered the quintessential work of German Expressionist cinema. And who are we to argue?

The film tells the story of an insane hypnotist (Werner Krauss) who uses a somnambulist (Conrad Veidt) to commit murders. Caligari features a dark and sinister visual style, with pointed forms, oblique and curving lines, structures and landscapes that lean and twist in odd angles, and shadows and streaks of light painted directly onto the sets.

The 1920 silent movie is outside our primary mandate of covering horror and genre film “from the 1960s to today,” as the tagline of the Really Awful Movies Podcast says. However, it’s vital to understand the current context of horror by casting our gaze back at this marvel. Its influence has carried on through the work of Tim Burton, Bergman and countless others.

The tale of the oddball hypnotist (or somnambulist) is just as eerie and vital today as it was in its day.

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