Really Awful Movies: Ep 391 – Head of the Family

Head of the Family!

Who doesn’t like a low budget exploitation horror? Especially one with an obvious double entendre like that.

This episode of the podcast is all about the legendary Charles Band, a man responsible for a huge swath of the movies we’ve binged for years and years, and who directed this cheap and cheerful mid-90s hybrid sci fi zombie horror.

On this episode, a breakdown of disembodied head movies from The Brain that Wouldn’t Die to Re-Animator, Full Moon Features, the name “Otis” and its prominence in horror, particularly among trashy hicksploitation villains, the home movie scene in the 80s, the changing nature of how we consume films, and much, much more!

 

Really Awful Movies: Ep 390 – This is Gwar

This week, a documentary turn: This is Gwar chronicles the three decades-long history of the infamous rock band, though countless iterations and many a rubber monster suit.

A Shudder exclusive, the movie is must-see material for fans of Some Kind of Monster, Anvil: The Story of Anvil, and This is Spinal Tap.

Truly inspirational filmmaking.

Subjects discussed in this episode:

  • “Gimmick” bands like Gwar, Alice Cooper and KISS, plus local novelty acts like White Cowbell Oklahoma, etc
  • The life of a touring band especially in an era of decreased prominence of music culturally and a plethora of entertainment options
  • Misconceptions about Gwar’s musicality
  • The band’s two seminal members and their influence on its direction
  • Tales of wanton self destruction
  • Disaffected art school brats and the connective thread through rock music and pop culture, with David Byrne, David Bowie and Seth MacFarlane,
  • and the excellent podcast, Your Favorite Band Sucks

Join us, subscribe to the show, and thanks for listening.

Really Awful Movies: Ep 388 – The Barge People and Daughters of Darkness

Two very different movies on the podcast this week. The first, is a low budget British horror called The Barge People. It’s about, of all things, creatures that lurk about near canals and torment canal boaters. Hey, there’s something for everyone in horror, apparently.

Two couples get together for a weekend getaway…floating down canals in the English countryside in what’s known as a narrow boat. Apparently, 8500 or so people in the UK have registered these vessels as permanent homes. Weird.

Anyway, things begin to go a bit awry, as this is, after all, a horror movie. A series of murders takes place nearby and adjacent to the canals the couples are travelling on. And they eventually encounter….well, look at this poster!

Daughters of Darkness, by contrast, is a brooding, slow burn, vampire flick that’s set in Belgium. It’s very um…deliberately paced, but also visually very appealing.

Stefan Chilton, raised in the US, is the scion of an upper crust aristocratic British family.

He is traveling with his newly-wed wife, Valerie, through Europe and by all accounts is having a great old time.

The couple check into a grand hotel on the Belgian seaside, intending to catch the cross-channel ferry to England, where Stefan’s mother lives. As it’s off-season, the hotel is empty.  At nightfall, however, a mysterious Hungarian countess, Elizabeth Bathory, arrives, driven by her “secretary,” Ilona.