Really Awful Movies: Ep 197 – Hello Mary Lou: Prom Night II

Hello Mary Lou: Prom Night II is a 1987 Canadian slasher film directed by Bruce Pittman, and starring Michael Ironside. If that isn’t enough enticement to make you wanna watch, we don’t know what is. Frankly, Michael Ironside is a genre icon. C’mon, look at this resume, people: Scanners, Visiting Hours, Total Recall, Starship Troopers…

He plays Billy, a 60s teen with an impossibly receding hairline, who’s gettin’ down to Little Richard at the prom. After being rebuffed by the queen, one Mary Lou (from whose name the movie title derives) he angrily lobs a stink bomb toward her as she’s accepting her crown in front of adoring masses. Unfortunately, things go haywire, the incendiary devices ignites a spark, the drapes catch fire, and so does Mary Lou.

Flash forward to the 80s, and Billy is now high school principal at ill-fated Hamilton High. And the spirit of Mary Lou, is haunting the halls, like bad Axe deodorant spray. Mary Lou’s trapped in a treasure chest, and emerges, to haunt those who did her wrong.

Prom Night II doesn’t have Jamie Lee Curtis or Leslie Nielsen (and hell, Robert A. Silverman too, he of Scanners, eXistenZ, The Brood), but what it does have is the same low-budget cheap-and-cheerful Canadiana (it’s filmed in Edmonton, Alberta, with some re-shoots in Toronto). There’s also some supernatural weirdness and sinister dreamscapes going on.

This is a much better film than we remember.

 

Really Awful Movies: Ep 196 – Friday the 13th (2009)

Jason Voorhees. The butcher of Camp Crystal Lake needs no introduction. Or does he? Perhaps to a new generation of audiences, who were unaware of the source material that is the original Friday the 13th movies.

Of course, now Jason is seemingly everywhere, what with the video game developed by IllFonic, and published by Gun Media.

And he’s been everywhere before too. This is the 12th film in the Jason oeuvre, if you include Freddy VS Jason (which we do).

And this is as different as our mute machete mate has ever been. Director Marcus Nispel took artistic license with the source material, making Jason Voorhees a kidnapper who was fleet-of-foot. And who actually has an underground lair, and quite an elaborate Xanadu too.

At the end of the day though, this is not a well-made movie. There are two spectacular kills, and a lot of killer filler. And the stupidity ante of these campers is OFF THE CHARTS. So, how does Derek Mears acquit himself as the Masked Maniac? Pretty darn well. It’s the rest of the film that kinda blows.

A little backstory.

Friday the 13th (2009) was released in theaters on Friday, February 13, 2009, appropriately enough.

The franchise entry received mainly negative reviews, which is not unprecedented as this series isn’t exactly a critical darling. The movie earned approximately US$19 million on its opening night and $40 million during its opening weekend, when it broke two records; the highest-earning opening day for the film series and the highest-earning opening weekend for any horror film.

As of July 2014, it is the second-highest grossing film in the Friday the 13th film series ($65 million), and has earned about $92.7 million worldwide since. Critic Kim Newman opined that the film is “Unlucky for almost everyone. It’s a sad day when a Friday the 13th remake is shown up by a My Bloody Valentine remake.” (for those who are interested, your intrepid hosts tackled My Bloody Valentine 3D on Ep 86).

But on this week’s edition of the Really Awful Movies Podcast, it’s time to don the sunscreen and visit Camp Crystal Lake in this installment of Friday the 13th.

Really Awful Movies: Ep 195 – Don’t Torture a Duckling

Don’t Torture a Duckling (in mellifluous Italian: Non si sevizia un paperino) is a 1972 Italian giallo film directed by Lucio Fulci, starring Tomas Milian, Florinda Bolkan, and Barbara Bouchet. It is notable within Fulci’s filmography as it is one of the first in which he began using violent icky gore effects, something Fulci would continue to do in his later films, most notably Zombi 2The Beyond and City of the Living Dead. The soundtrack was composed by Riz Ortolani and features vocals by Italian pop stylist Ornella Vanoni.

Don’t Torture a Duckling focuses on a series of child murders that occur in a small, fictitious town in Southern Italy. Naturally, there are red herrings aplenty, and true to form, a journalist poking his nose around where it doesn’t belong. While there are some similarities with giallo films stylistically, this one tends to eschew some of the genre tropes, including urban center settings.

There is a boundless array of weirdness, and some really odd choices for set-pieces. It’s interesting to note just how varied Fulci’s work was before he set aside his other genre work and began to focus full-bore on horror.